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Artist: Thomas Wallis ( - )
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Thomas Wallis.
- Thomas Wallis
Dressing spoon (one of two - 1986.35.45-46)
silver
1815
- Thomas Wallis
Dressing spoon (one of two - 1986.35.45-46)
silver
1816
- Effet de pluie, Camille Pissarro (West Indies, Saint Thomas, 1830 - 1903) , 1879, Etching, aquatint, and drypoint
- Robert Wallis
Colchester
Engraving
1827
- À Edgar Poe, Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph Museum of Fine Arts
- Marked by Thomas Wallis (II), first mark entered 1778 Sugar Sifter Spoon flatware London, England
- Sous-Bois, Paul Cézanne (France, Aix, 1839 - 1906) , circa 1894, Oil on canvas
- À Edgar Poe (La Folie), Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
- Robert Wallis
The Bay of Naples
etching and engraving
18th - 19th century
- Landscape, Charles-François Daubigny (France, Paris, 1817 - 1878) , 1850-1860, Oil on canvas
- Michael Burgers
Portrait of Johannes Wallis, S. T. P., Oxon
Engraving
1699
- Henry Wallis
Bank of England and Royal Exchange
Engraving
19th century
- À Edgar Poe (Le souffle qui conduit les êtres est aussi dans les Sphères), Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
- Study of a Tree, Jean-Victor Bertin (France, Paris, 1767 - 1842) , circa 1800-1805, Gouache
- À Edgar Poe (Devant le noir soleil de la Mélancolie, Lénore apparaît), Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
- À Edgar Poe (À l’horizon l’Ange des Certitudes, et dans le ciel sombre, un regard intérrogateur), Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
- Lydia at Afternoon Tea, Mary Cassatt (United States, Pennsylvania, Allegheny City, 1844 - 1926) , circa 1883, Soft-ground etching and aquatint
- À Edgar Poe (Un masque sonne le glas funèbre) [To Edgar Poe (A Mask Sounds the Death Knell)], Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
- À Edgar Poe (L’oeil, comme un ballon bizarre se dirige vers l’infini) [To Edgar Poe (The Eye, Like a Strange Balloon, Mounts toward Infinity)], Odilon Redon (France, Bordeaux, 1840 - 1916) , 1882, Lithograph
- Robert Wallis
Stonehenge, no. 3 from Part VII of the series Picturesque Views in England and Wales, after a watercolor by J. M. W. Turner in an English private collection (Wilton 811)
etching and engraving
1829
- Robert Wallis
Stonehenge, no. 3 from Part VII of the series Picturesque Views in England and Wales, after a watercolor by J. M. W. Turner in an English private collection (Wilton 811)
etching and engraving
1829 Museum of Fine Arts
- Sir Thomas Lawrence, British, 1769-1830 Sir Uvedale Price, Baronet about 1799 Oil on canvas 76.2
- Robert Wallis
Hastings, plate opposite page 127 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London:
- Robert Wallis
Scene at Fleetwood, on Wye, plate opposite page 137 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beatti
- Robert Wallis
Banff, plate opposite page 9 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (London: Georg
- Robert Wallis
Lytham, plate opposite page 180 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie,
- Robert Wallis
Harlech Castle, plate opposite page 64 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.D. (Lon
- Robert Wallis
Workington (Cumberland), plate opposite page 171 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by
- Robert Wallis
Dover, from the Ramsgate Road, plate opposite page 155 of volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Bea
- Robert Wallis
St. Bees College, plate opposite page 177 in the appendix to volume 1 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William
- Robert Wallis
New Bridge and Bronielaw, Glasgow, plate opposite page 46 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Museum of Fine Arts
- Thomas Gainsborough, British, 1727-1788 John Taylor Oil on canvas 75.9 x 64.5 cm (29 7/8
- Robert Wallis
Leith Pier and Harbour, plate opposite page 43 of volume 2 in the book The Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, M.
- George Augustus Wallis - Cascate delle Marmore, Terni 1788-1806 oil on paper The Fitzwilliam Museum British
- Thomas Gainsborough - The Hon. Mrs. Thomas Graham c. 1775-1777 oil on canvas National Gallery of Art British
- Thomas Sully - Thomas Alston 1826 oil on canvas National Gallery of Art American
- Thomas Sully
The Reverend Thomas Stockton
oil on canvas
1843
- Thomas Sully - Thomas Handasyd Perkins 1832 oil on canvas Boston Athenaeum American
- Thomas Lupton
Thomas Chalmers, D.D, L.L.D, & F.R.S.E.
18th - 19th century Museum of Fine Arts
- George Romney, British, 1734-1802 Mrs. Billington as Saint Cecilia Oil on canvas 127.7 x 101.9
- Thomas Sully - Mrs. Caleb Newbold and Her Son Thomas 1813 oil on canvas The Columbus Museum
- Thomas King
Thomas Parr, aged 152 years
18th century
- Portrait d'Ambroise Thomas (1832 en) by FLANDRIN Hippolyte
- Hans Holbein the Younger - Sir Thomas More 1527 oil on panel The Frick Collection German
- Thomas Hill
Reverend Thomas Starr King
oil on canvas
19th - 20th century
- Thomas Cheesman - Thomas Moor Ld. Chancelour (after Hans Holbien) 1812 colored print University of California, Berkeley Art Museum English
- Pair of Woman’s Pumps, Saks Fifth Avenue (born 1924) , circa 1967, Silk, leather
- Thomas Cornell
Pig
Etching
1960 Museum of Fine Arts
- George de Forest Brush, American, 1855-1941 The Thomas Sisters (Margaret Thomas Gardiner and Helen Thomas
- John Wesley Jarvis - Thomas Paine c. 1806-1807 oil on canvas National Gallery of Art American
- John Singleton Copley - Thomas Amory II c. 1770-1772 oil on canvas Corcoran Gallery of Art American
- Pierre-Jean David d'Angers - Thomas Jefferson 1832-1892 bronze National Gallery of Art French
- John Singleton Copley - Thomas Greene 1758 oil on canvas Cincinnati Art Museum American
- Rembrandt Peale - Thomas Sully 1859 oil on canvas board National Gallery of Art American
- Gilbert Stuart - Thomas Jefferson c. 1805-07 oil on canvas Bowdoin College Museum of Art American
- Arthur Pond - Thomas Gray probably 1731 oil on canvas The Fitzwilliam Museum British
- Ralph Earl - Thomas Earle 1800 oil on canvas National Gallery of Art American
- John Hesselius - Thomas Chamberlaine 1772-75 oil on canvas The Detroit Institute of Art American
- John Smibert - Mrs. Thomas Bullfinch c. 1734 oil on canvas Cleveland Museum of Art American
- John Smibert - Mrs. Thomas Bullfinch c. 1734 oil on canvas Cleveland Museum of Art American
Artnews Articles and Exhibition Information: (10) Click on any of the links below to read about artnews or exhibitions related to Wallis
Tate Liverpool: Modern British Art : The Tate Collection Modern British Art begins with Free Time, a section exploring the relationship between art and leisure before the First World War. For many young artists, modern life with its cafes, dancing, music halls and spectator sports, suited the advanced t...
Cambridge Galleries: Translinear: 12 Canadian Artists The concise premise of the exhibition is that painting has a particular visual language and that paintings exist to generate a state of awareness or understanding on the part of the viewer which is not limited by context, time or place. By bringin...
Kettle's Yard Gallery: Kettle's Yard Open 2002 Artists include: Jeremy Andrews , Alexandra Baraitser, Jutta Bastian, Susan Dalladay, Matt Davis, Mark Edwards, Neil Henderson , Frances Kearney, Jonathan Keep, David Kefford , Graham Murrell, Elspeth Owen, Martha Winter, Simon Whitnall, Fiona Saf...
Queensland Art Gallery: The Third Asia-Pacific Triennial of Contemporary Art, 1999 (APT3) The Asia-Pacific Triennial aims to enhance cultural awareness and understanding of the
contemporary art of the Asia-Pacific region. The Triennial is now established as a significant
recurring international art event and ...
F.R.E.D.: Freedom Rules Every Democracy: A Town Meeting Lets not kid ourselves, this public relations nightmare for
the arts is not just about the Brooklyn Museum -- the
implications clearly extend to all cultural institutions,
libraries, parks, public schools and universities. Just because
the May...
Irish Museum of Modern Art: Paul Morrison: Haematoxlyon The exhibition comprises some 14 works including site-specific wall installations, paintings and a new video piece. All are produced by eliminating colour leaving the viewer to project their own vision onto the canvas utilizing “colour from behin...
Tate Gallery: Mona Hatoum Responding to the architecture of the galleries, Hatoum has created large scale works
which reflect her current interest in everyday objects. These sculptures, focusing on
household objects, emphasise and yet undermine their charac...
Seattle Art Museum: Only Skin Deep: Photography’s Role in Shaping America’s Identity The curators Coco Fusco, Associate Professor in the Visual Arts Division at Columbia University’s School of the Arts, and Brian Wallis, ICP’s Director of Exhibitions and Chief Curator, explore America’s stereotypical notions of race through more t...
San Francisco Museum of Modern Art: New Work: Wangechi Mutu The urgency of her work speaks to art’s most powerful function: to show us the world through the highly subjective and personal lens of the artist. Particularly interested in myths about gender and ethnicity that have long circulated in Africa and...
Annenberg Space for Photography: L8S ANG3LES: 8 LA-based Master Photographers Plus 3 From LA Times Located on the former site of the Shubert Theater, the Photography Space is a 10,000 square foot facility. The dynamic exhibition space will feature, along with a traditional print gallery, a state-of-the-art digital presentation system capable o...
Further Artwork and Information:
Thomas Wallis (1726 - 1765) Biography, Artwork Images, Exhibitions, Reviews
Thomas Wallis [en]
Thomas Wallis [de]
Thomas Wallis
Thomas Wallis
Thomas Wallis/ Mary
Thomas WALLIS/Jane JACKSON
Home Page for Thomas Wallis
Thomas Wallis & Co. Ltd.
Thomas Wallis Tongs 1792
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