Artist: Barrington Watson ( - )
Artworks in Museum Collections: (100)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Barrington Watson.

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Gilbert Stuart - Portrait of Richard Barrington, Later Fourth Viscount Barrington c. 1793-1794 oil on canvas Los Angeles County Museum of Art American
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Benjamin West - The Honorable Mrs. Shute Barrington 1808 Oil on canvas The Cummer Museum of Art and Gardens American
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W. H. Mote The Viscountess Barrington 19th - 20th century
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Robert Watson Interior oil on canvas 1954
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John Singleton Copley - Watson and the Shark 1778 oil on canvas National Gallery of Art American
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John Singleton Copley - Watson and the Shark 1777 oil on canvas The Detroit Institute of Art American
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George Barrington Timbuctoo, Yuba County, California, 1862 Lithograph 1862
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Ward, Leslie Matthew (Spy) "Military Music" (Col. Barrington Foote), from Vanity Fair Supplement Lithograph circa 1900
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Cecilia Beaux - Portrait of James V. Watson c. 1893 oil on canvas National Museum of Women in the Arts American
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E.E. Cummings - James Sibley Watson n.d. oil on pulp board Memorial Art Gallery of the University of Rochester American
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Watson West Mission Dolores lithograph circa 1920
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John Singleton Copley - Portrait of Colonel George Watson 1768 oil on canvas New Orleans Museum of Art American
The Metropolitan Museum of Art -
The Honorable Mrs. Lewis Thomas Watson (Mary Elizabeth Milles, 1767-1818), 1789 Sir Joshua Reynolds (British,
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Ernest W. Watson Wings of Glory color woodcut 19th - 20th century
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Charles John Watson Ponte del Cavallo 1891
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Charles John Watson Chelsea Etching 1889
Museum of Fine Arts -
William Rimmer, American (born in England), 1816-1879 Mrs. Robert Restiaux Kent (Eliza F. Watson) about
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Charles John Watson Interior of a Cathedral, Venice 1900
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Charles John Watson Wells, 1894 Etching 1894
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James Watson Sir Richard Stacpoole of Pembrokeshire 18th century
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Charles John Watson Fiera San Marino lithograph 19th - 20th century
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Charles John Watson Rue St. Martin Etching 19th - 20th century
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Charles John Watson Mill Bridge, Bosham Etching 1888
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Caroline Watson Portrait of the Empress of Russia, Catherina Mezzotint, stipple engraving 1788
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Caroline Watson Portrait of Sir James Harris Stipple engraving 18th - 19th century
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James Watson Portrait of Sir Robert Walpole Mezzotint 18th century
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John Dawson Watson Friends in Council - p.509 Harper's Weekly, 30 June 1877 wood engraving 19th century
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Caroline Watson Shakespeare: King Henry VI, Part II. Act III. Scene III Color stipple engraving 18th - 19th century
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Charles John Watson A landscape with a Castle on top of a hill, bridge with people crossing it Etching 1898
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Charles John Watson Entrance door of Notre Dame, Neufchatel, 1905 Etching 1905
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W. Watson The Cock of the Walk - p.745 Harper's Weekly, Supplement 5 September 1874 wood engraving 19th century
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James Watson Elizabeth Bashwood, wife of the fourth Duke of Manchester and her son mezzotint 18th century
Museum of Fine Arts -
Paul Revere II, American, 1734-1818 Christian Remick, American, 1726–after 1783 The Boston Massacre, 1770-1770 Engraving,
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Charles John Watson Boat-Building on the Yare, plate 4 in the book, The Etcher (London: Sampson Lowä, 1880), vol. 2 [bound in same volume as vol. 1, 1879] etching 1880
Museum of Fine Arts -
Davis, Watson & Co., about 1820 Porringer about 1820 Silver 5 x 20.5 cm (1
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Charles John Watson A.W.G. 14 April, fourteenth plate from the portfolio Sketches Made on the Lithography Night 14 April 1905 by Member s of the Art Workers Guild, Clifford Inn Hall and Published for the Benefit of the Chest Lithograph 1905
Museum of Fine Arts -
Henry Sargent, American, 1770-1845 Watson and the Shark (copy after John Singleton Copley) between 1793
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Dawson Dawson-Watson - Early Morning on the Farmington n.d. oil on canvas Florence Griswold Museum American
Museum of Fine Arts -
John Singleton Copley, American, 1738-1815 Watson and the Shark 1778 Oil on canvas 183.51 x
The Metropolitan Museum of Art -
Saint Vincent, Patron Saint of Lisbon Frei Carlos (Portuguese, active second quarter 16th century); Portuguese
Museum of Fine Arts -
Claude Monet, French, 1840-1926 Charing Cross Bridge (overcast day), 1900-1900 Oil on canvas 60.6 x
Museum of Fine Arts -
Richard Wilson (of Birmingham), British, 1751-52–1807 Chief Justice Peter Oliver Oil on canvas 75.9 x
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Samuel Palmer The Bellman ET 1879
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Samuel Palmer Moonlit Scene graphite 1863
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Samuel Palmer The Willow ET 19th century
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Samuel Palmer The Skylark ET 19th century
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Samuel Palmer The Sepulchre ET 19th century
The Metropolitan Museum of Art -
Sankh, 19th century Unknown MakerKerala State, IndiaBrass, wax; L. of shell 16 3/4 in. (42.5
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Samuel Palmer The Cypress Grove etching 1883
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Samuel Palmer The Willow etching 19th century
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Samuel Palmer The Early Ploughman ET 19th century
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Samuel Palmer The Homeward Star ET 19th century
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Samuel Palmer The Herdsman, or The Weary Ploughman 1865
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Samuel Palmer The Cypress Grove ET 19th century
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Samuel Palmer The Rising Moon ET 19th century
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Samuel Palmer Moeris and Galatea ET 19th century
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Samuel Palmer Opening the Fold; or, Early Morning ET 19th century
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Samuel Palmer The Herdsman's Cottage; or sunset ET 19th century
Museum of Fine Arts -
Hilborne L. Roosevelt, 1849-1886 Chamber organ United States, Pennsylvania, (Philadelphia), 1885 or 1886 Cherry 149.6
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Samuel Palmer The Sleeping Shepard; Early Morning ET 19th century
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Samuel Palmer Opening the Fold; or, Early Morning ET 19th century
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Samuel Palmer The Herdsman's Cottage or Sunset etching from a steel plate 1850
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Samuel Palmer "Christmas" etching in Samuel Palmer, a memoir by A. H. Palmer etching 19th century
The Metropolitan Museum of Art -
Tamaris, ca. 1880 Pierre Puvis de Chavannes (French, 1824-1898)Oil on canvas; 10 x 15 1/2
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Francis Wheatley Shakespeare - Tempest - Act V , Scene I. Line and stipple engraving with hand coloring 18th - 19th century
The Metropolitan Museum of Art -
Berlin, Rom, Tokio, 1939 Berlin: Ernst Steiniger Druck-und Verlagsanstalt, 1939Serial publication, illustrated; vols. 1–8; H.
Museum of Fine Arts -
Chest with two drawers 1750-1800 Wood with straw-work marquetry 34.3 x 43.8 x 19.7 cm
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Samuel Palmer The Shorter Poems of John Milton (London: Seeley & Company, 1889) book with 12 etchings 1889
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Samuel Palmer An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) book with 5 etchings and 9 photogravures after drawings 1883
The Metropolitan Museum of Art -
The Massachusetts Magazine, or, Monthly Museum of Knowledge and Rational Entertainment, 1789-96 Boston: Isaiah Thomas
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Samuel Palmer "O fortunate old man...",first illustration for Eclogue 1, opposite page 18 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "O fortunate old man...",second illustration for Eclogue 1, opposite page 20 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Thy very cradle quickens...", illustration for Eclogue 4, opposite page 48 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer Lycidas, illustration to the poem Lycidas, opposite page 2 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer "Tis gentle Phillis I love best of all...", illustration for Eclogue 3, opposite page 40 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "And while the troubled moon shrunk in and out...", second illustration for Eclogue 8, opposite page 82 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer "Ripe apples are our supper...",third illustration for Eclogue 1, opposite page 22 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer "Pan came, Arcadian shepherd ever good...", first illustration for Eclogue10, opposite page 92 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Come fairest, if thou care for me at all..," illustration for Eclogue 7, opposite page 70 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Pan came, Arcadian shepherd ever good",second illustration for Eclogue10, opposite page 94 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer The Curfew, first illustration to the poem Il Penseroso, opposite page 22 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Prospect, second illustration to the poem L'Allegro, opposite page 14 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Bellman, second illustration to the poem Il Penseroso, opposite page 26 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer "Untimely lost and by a cruel deathä", illustration for Eclogue 5, opposite page 54 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer "Scarce with her rosy fingers had the dawn...", first illustration for Eclogue 8, opposite page 76 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
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Samuel Palmer "_till Vesper bade the swain...", illustration for Eclogue 6, opposite page 64 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "But see, the weary-pacing oxen, slow...", illustration for Eclogue 2, opposite page 30 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) photogravure 1883
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Samuel Palmer "Then, to our goats at milking time return..", illustration for Eclogue 9, opposite page 88 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883) etching 1883
Museum of Fine Arts -
Valentine Green, English, 1739-1813 After John Singleton Copley, American, 1738-1815 A Youth Rescued from a
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Samuel Palmer The Dell of Comus, second illustration to the poem Comus, opposite page 60 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer A Towered City, third illustration to the poem L'Allegro, opposite page 18 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Eastern Gate, first illustration to the poem L'Allegro, opposite page 10 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Lonely Tower, third illustration to the poem Il Penseroso, opposite page 30 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer Morning, fourth illustration to the poem Il Penseroso, opposite page 32 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Waters Murmuring, fifth illustration to the poem Il Penseroso, opposite page 34 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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Samuel Palmer The Brothers under the Vine, first illustration to the poem Comus, opposite page 52 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
J. Paul Getty Museum -
Bust of a Man
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Samuel Palmer The Brothers Discovering the Pallace of Comus, third illustration to the poem Comus, opposite page 64 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
Museum of Fine Arts -
Gilbert Stuart, American, 1755-1828 Councillor John Dunn about 1798 Oil on canvas 73.98 x 61.91
The Metropolitan Museum of Art -
Edwin Davis French, A Memorial: His Life, His Art, 1908 Author: Ira Hutchinson Brainerd (1862-1935)New

Artnews Articles and Exhibition Information: (30)
Click on any of the links below to read about artnews or exhibitions related to Watson

24 HR Art - Northern Territory Centre for Contemporary Art: cumulus: Recent Work by Judy Watson
The works in the show were largely inspired by a recent trip the artist made to her ancestral country at Lawn Hill Gorge and Riversleigh Station with her family. Other works were inspired by a residency at the Pink Palace, Julalikari Council, Tenn...
Peabody Museum of Archeology and Ethnology: Gifting and Feasting in the Northwest Coast Potlatch
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Monash Gallery: RE-TAKE : Contemporary Aboriginal and Torres Strait Islander Photography
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Australian Centre for Contemporary Art: RENT
Rent describes the temporary relation many people have to the things around them. That is, we do not own them and we do not create or produce them from scratch, though we do use and adapt them. It also applies t...
Monash University Museum of Art: People, Places + Ideas: Celebrating Four Decades of the Monash University Collection
Monash University began collecting art when it was founded in 1961. The Collection, which has always had a strong focus on contemporary art, has expanded over four decades to comprise over 1,200 works by more than 330 of Australia's most renow...
Boltax Gallery: Christian Witkin: Room of Silence and Observation
Witkin's ad Campaigns include clients such as the Gap, Esprit, Levi's, Nike, IBM and American Express. Christian has received various awards for his editorial and commercial work, including the Society of Publication Designers Gold Award in Photog...
Philadelphia Museum of Art: The Faceless Figure: Photographs from the Collection
In some images, the anonymity of the figure is used to suggest Everyman, while others teach us that it is not just the face that identifies individuality. Techniques used by the photographers include back views, silhouetting, and cropping. Oth...
Institute of International Visual Arts: Drawing Space: Contemporary Indian Drawings
Drawing Space is an exhibition of contemporary drawings by three artists, all of whom use the drawn line as a device for negotiating space in ways that are self-empowering, exploring the compl...
Van Gogh Museum: American Beauty: Painting and Sculpture from The Detroit Institute of Arts, 1770-1920

Although the artists were familiar with and reacted to European art, they simultaneously developed their own individual style. To shed light on the various artistic currents the exhibition is organized around themes such as American Icons, Impress...
Digital Art Museum: Exhibition Launches New Venue: Unit 2 - Museum Artists
Currently the website holds a large amount of work on Laurence Gartel, Manfred Mohr and Roman Verostko, not only their work but also there entire biography, press cuttings, critiques and publications together with timelines so that visitors can ...
Museum Kunst Palast: Queensland Indigenous Artists to be exhibited at the Grosse Kunstausstellung 2003
More than 200 leading contemporary artists exhibit their work each year at the Great Art Exhibition, one of Europe’s most prestigious exhibitions, and every year there is a special section allocated for a foreign country to present their artists. ...
Victoria and Albert Museum: Alfred Stieglitz: Photographs and Photogravures from the Georgia O'Keeffe Foundation
The Foundation is a non-profit organisation dedicated to the artistic legacy of Georgia O'Keeffe. Stieglitz, one of America's most influential photographers, was known internationally as an advocate of modernism. One of the principal object...
Madison Museum of Contemporary Art: Art on Site: Madison Museum of Contemporary Art at Olbrich Botanical Gardens
In addition, students from Malcolm Shabazz City High School will work with participating artists to create a summer-long series of mowed designs in Olbrich's Great Lawn. Art on Site is the museumís first group exhibition focusing on site-spec...
Ars Electronica 2002: Call for Entries: 16th Edition of the Competition for Cyberarts
The total prize money for the Prix Ars Electronica 2002 amounts to Euro 100.000 / USD 88,466. The international juries will award 6 x 3 money prizes and up to 52 Honorary Mentions. Selected works of all categories will be presented to the ...
Institute of Modern Art: 3 EXHIBITIONS......1 LOCATION
Since 1991, Indigenous artists Brenda L. Croft and Destiny Deacon have exhibited their work alongside one another in various exhibitions, strengthening a friendship which stems from early days in indigenous affairs, government and community or...
National Gallery of Victoria: Colin McCahon: A Time for Messages
The NGV holds a major six panel work on paper produced in 1979 by McCahon, and the acquisition of an important early work by McCahon has been a collection priority of the NGV for several years. Acquired in 1999, One is a painting that is small...
Museum of Glass, International Center for Contemporary Art: The Inner Light: Sculpture by Stanislav Libensky´ and Jaroslava Brychtová

The Inner Light: Sculpture by Stanislav Libensky´ and Jaroslava Brychtová focuses on the artists’ work from the 1990s to 2001 and includes several pieces that will be exhibited in the United States for the first time. Libensky´, who died in Febr...
Museum of Glass, International Center for Contemporary Art: Some Assembly Required
Contemporary sculpture has been knocked from the pedestal and has grown to heroic proportions, said Neil Watson, chief curator at the Museum of Glass. In Some Assembly Required we are bringing together artists working with glass who have distingui...
MONTREAL MUSEUM OF FINE ARTS: SELECTION OF WORKS BY MONTREAL ARTIST GENEVIEVE CADIEUX
In Paramour, Cadieux has made use of video for the first time, to bring out the dynamic underpinnings of her large-scale photographic work. The piece revolves around a dialogue between a man and a w...
John Connelly Presents: Hug and Magnan: Boys Gone Wild
USA Today, an on-going project by HUG & MAGNAN, acts as the centerpiece of the show. The work is composed of “caption heads”, which are images of public figures and publicized ordinary citizens summarized in a quick, abstract statements appropriat...
Seattle Art Museum: Only Skin Deep: Photography’s Role in Shaping America’s Identity
The curators Coco Fusco, Associate Professor in the Visual Arts Division at Columbia University’s School of the Arts, and Brian Wallis, ICP’s Director of Exhibitions and Chief Curator, explore America’s stereotypical notions of race through more t...
Katonah Museum of Art: I Love the ’Burbs: Modern Day Suburban Life
“Vistors to I Love the ’Burbs will have an opportunity to view exciting, contemporary art about the suburbs in a frankly suburban setting,” says Executive Director Neil Watson. “The majority of works in this exhibition have been created by young,...
Museum of Glass, International Center for Contemporary Art: How-To: The Art of Deborah Oropallo
By examining commonly overlooked objects, Oropallo's technique encourages recognition of the extraordinary in the everyday. She transforms bobbie pins, wire hangers, iron marks, pennies, tires, clocks, and other objects into subject matter for aes...
Art Gallery of New South Wales: Unscripted: Language in Contemporary Art
Over the last two decades in Australia, the use of language in contemporary art has been integrated much more so than previously. Unscripted: language in contemporary art will bring together 22 works by some of Australia's most well-known co...
Haus der Kunst: Exposed: The Victorian Nude
The exhibition Exposed: The Victorian Nude now presents another, new aspect of this age. It takes as its theme the development of both female and male nude painting in England. But was the nude an expression and zenith of high art, or was it an ou...
Volvo Gallery: We Are Australian - A Major Exhibition by 300 Leading Artists
This exhibition ...is not only an important and timely expression of our harmony in diversity, but is also a colourful expression of what we are today Rt Hon Sir Zelman Cowen Governor General of the Commonwealth of Australia, 1977-1982....
Neuberger Museum of Art: there is no eye: Photographs by John Cohen
there is no eye: Photographs by John Cohen features a collection of more than 130 modern black and white photographs that reflect Cohen’s passion for art and music. The exhibition will be on view at the Neuberger Museum of Art from October 17, 200...
Hudson River Museum: Half Past Autumn: The Art of Gordon Parks,
Half Past Autumn: The Art of Gordon Parks and related programs are made possible by AOL Time Warner and Ford Motor Company. Additional support is provided by the Glen Eagles Foundation, Cone-Laumont Editions, Ltd., Laumont Labs, and Time Life Photo L...
Power Plant Contemporary Art Gallery: Europe's Most Acclaimed Artists: Wim Delvoye and Daniel Richter
Belgian artist Wim Delvoye’s engaging sculpture Cloaca – New & Improved addresses a number of cultural taboos while challenging viewers to consider society's discomfort with digestive functions and to question the elaborate cultural mechanisms con...
City Gallery Wellington: Telecom Prospect 2004: New Art New Zealand
From an 18 metre long glistening glitter carpet by Hamilton artist Mark Curtis to Ralph Hotere's White Drip: from a working ice-skating rink by Wellington artist Maddie Leach to a new interactive work by Ronnie van Hout, Telecom Prospect 2004 has ...

Further Artwork and Information:

Barrington Watson (1829 - 1916) Biography, Artwork Images, Exhibitions, Reviews
Barrington Watson
Barrington Watson
Conversation - Barrington Watson
Barrington Watson - African American Art
Richmond Hill Inn, Barrington Watson Artwork
Smith Watson & Company LLP Certified Public Accountants Great Barrington Massachusetts North Adams MA Lakeville CT
AnyBook4Less.com - ISBN: 0865438102 - The Pan-Africanists by Barrington Watson
CRM Group - Rep Projects - Watson Sites, Highway 103 ROW at Barrington
Amazon.com: Books: The Pan-Africanists

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