Artist: Frederick Waters Watts (1800 - 1862)
Nationality: British
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Frederick Waters Watts.

The Metropolitan Museum of Art -
The Old Bridge Frederick Waters Watts (British, 1800-1862)Oil on canvas; 21 3/4 x 32 3/4
The Metropolitan Museum of Art -
Ariadne in Naxos, 1894 George Frederick Watts (British, 1817-1904)Oil on canvas; 24 x 20 in.
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Harriet Whitney Frismuth - Joy of the Waters 1917 bronze Dayton Arts Institute American
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Harriet Whitney Frishmuth - Joy of the Waters 1920 bronze Florence Griswold Museum American
The Minneapolis Institute of Arts -
Artist: Henry Hershel Hay Cameron Title: George Frederick Watts, R.A. Date: 1893 Medium: photogravure Dimensions:
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Hans Hofmann - Above Deep Waters 1959 Oil on Canvas University of California, Berkeley Art Museum American
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William Merritt Chase - The Yield of the Waters 1878 oil on canvas The Detroit Institute of Art American
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Erastus Salisbury Field - "He Turned Their Waters into Blood" c. 1865-1880 oil on canvas National Gallery of Art American
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Claude Michel Clodion - The River Rhine Separating the Waters 1765 terracotta Kimbell Art Museum French
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J. Tonson and J. Watts Title page in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
J. Paul Getty Museum -
Whisper of the Muse / Portrait of G.F. Watts
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Paul Gauguin - Te Pape Nave Nave (Delectable Waters) 1898 oil on canvas National Gallery of Art French
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Costume Sketch of Mary Brian as Ruth Waters and Ruth Donnelly as Lil Waters in the Warner Brothers Production, ’Hard to Handle’, Orry-Kelly (Australia, 1897 - 1964) , 1933, Pencil, gouache on paper
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George Frederick Watts - William Cavendish, 7th Duke of Devonshire 1883 oil on canvas The Fitzwilliam Museum British
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Robert Henri - Portrait of Mrs. Robert C. Watts 1926 oil on canvas The Maier Museum of Art American
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L'AMOUR ET LA VIE (1893) by WATTS George Frederic
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Roland Clark Open Waters Drypoint 19th - 20th century
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Samuel Palmer The Waters Murmuring, fifth illustration to the poem Il Penseroso, opposite page 34 in the book The Shorter Poems of John Milton (London: Seeley & Company, 1889) etching with photogravure 1889
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RaphaÎl Sadeler I (Christ Walking on the Waters) 1598
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Edward De Witt Taylor Still Waters Drypoint etching 1930
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William Clothier Watts Point Lobos watercolor 19th - 20th century
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James Fagan Head Waters of the Sacramento River, California ET 19th - 20th century
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Adolf Arthur Dehn Quiet Waters Lithograph 19th - 20th century
The Minneapolis Institute of Arts -
Artist: Adolf Fassbender Title: Crowded Waters Date: about 1946 Medium: gelatin silver print Dimensions: H.13-11/16
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Christian Wilhelm Dietricy or Dietrich Three studies: Tritons fighting in shallow waters Etchings 1763
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Christian Wilhelm Dietricy or Dietrich Three studies: Tritons fighting in shallow waters Etchings 1763
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Christian Wilhelm Dietricy or Dietrich Three studies: Tritons fighting in shallow waters Etchings 1763
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William Kent Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) Book with 52 engravings and uncounted ornamental end pieces 1729
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Unknown The Man and the Flea, plate for Fable XLIX on page 186 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Owl and the Elephant, plate for Fable XLI on page 155 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Old Hen and the Cock, plate for Fable XX on page 76 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Lyon and the Cub, plate for Fable XIX on page 73 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Pin and the Needle, plate for Fable XVI on page 61 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Two Monkeys, plate for Fable XL on page 150 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
J. Paul Getty Museum -
Venus Emerging on the Waters
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W.P. Tymms Its massy waters meetä, 9th plate in the book The Prisoner of Chillon (London: Day & Son, 1865) chromolithograph 1865
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Clodion (Claude Michel) River God (The River Rhine Seperating the Waters) figure, lying on side, pouring water from urn terracotta 1765
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John Wootton The Spaniel and the Cameleon, plate for Fable II on page 7 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Wild Boar and the Ram, plate for Fable V on page 18 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Strang Bread upon the waters - Illustration to The Day's Work 19th - 20th century
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John Wootton The Cur and the Mastiff, plate for Fable XXVI on page 100 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Hare and Many Friends, plate for Fable L on page 190 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Philosopher and the Pheasants, plate for Fable XV on page 57 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Mastiffs, plate for Fable XXXIV on page 129 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Scold and the Parrot, plate for Fable XXV on page 96 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Bull and the Mastiff, plate for Fable IX on page 33 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Monkey Who Had Seen the World, plate for Fable XIV on page 52 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Setting-Dog and the Partridge, plate for Fable XXX on page 114 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Rat-Catcher amd Cats, plate for Fable XXI on page 80 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Gardener and the Hog, plate for Fable XLVIII on page 182 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Turkey and the Ant, plate for Fable XXXVIII on page 143 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Miser and Plutus, plate for Fable VI on page 21 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Court of Death, plate for FableXLVII on page 178 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Lion, the Tiger, and the Traveler, plate for Fable I on page 1 in the book, Fables (London: J. Tonson and J. Watts, 1729) Engraving 1729
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William Kent The Jugglers, plate for Fable XLII on page 158 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Elephant and the Bookseller, plate for Fable X on page36 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Poet and the Rose, plate for Fable XLV on page 171 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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Thomas Rowlandson Sailors Drinking the Tunbridge Waters Etching with watercolor 1815
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John Wootton The Eagle, and the Assembly of Animals, plate for Fable IV on page 14 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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John Wootton The Goat Without a Beard, plate for Fable XXII on page 84 in the book, Fables (London: J. Tonson nd J. Watts, 1729) Engraving 1729

Artnews Articles and Exhibition Information: (10)
Click on any of the links below to read about artnews or exhibitions related to Watts

Neuberger Museum of Art: Lewis Watts: Photographs
His imagery is made succinct by a careful attention to formal composition that combines found reality with esthetical elements. Since 1978, he has been a Lecturer in Photography and...
National Gallery: Light
The first section, Symbolic Light, contains works in which light takes on a metaphorical meaning, such as the Gallery’s 'Adoration of the Shepherds' by Rembrandt and the rarely seen 'After the Deluge; the Forty-First Day' by G. F. Watts (Guildfor...
Andy Warhol Museum: Summer of Andy: Program Celebrates Andy Warhol's 75th Birthday
Keith Edmier and Farrah Fawcett The exhibition, Keith Edmier and Farrah Fawcett, examines the connection between artist and muse through a series of collaborative sculptures and photographs by contemporary artist, Keith Edmier, and actress a...
Allen Priebe Gallery, University of Wisconsin Oshkosh: California Sculptor Noah Purifoy
Recently, a major retrospective traveled nationally in 1997-1998 and garnered critical praise.  In 1989, Purifoy relocated from Los Angeles to the high desert of Joshua Tree, California.  There he has created more than 100 assemblages, installatio...
Victoria and Albert Museum: Five New Painting Galleries to Open
The V&A has remarkable collections of eighteenth and nineteenth century British landscape paintings and watercolours (the national collection of watercolours is held at the V&A). Three galleries will focus on the image of landscape in Britain as...
Skirball Cultural Center: C.O.L.A. 2001: New Work by Ten Artists
The C.O.L.A. exhibition is the culmination of the year's Individual Artist Grant-supported activities. Each artist received an award of $10,000 to encourage the creation of new work, and in recognition of individual achievement, impact in the ...
Jersey Galleries: Reconcilable Differences: Curated by Luis Formaiano and Alison A. Raimes
The history of Modern art has been the narrowing of horizons towards the individual viewpoint. Try to think about a chain of individuals, posting messages, and trying to be understood either by words or by artistic work. This is ARTLIVES... Cl...
Pollock Fine Art: After Munch: Norwegian Contemporary Art
Traditionally, Norwegian artists have not had the courage to establish a close relation to Edward Munch. Instead of cultivating an expressionist tradition, founded by Edward Munch, and important to artists in other countries, Norwegia! n artist...
Lawrence Asher Gallery: Lisa Adams –  I Like Interrogatives AND Susannah Bettag -  But Do You Really Notice Anymore
From Lisa Adams' Artist Statement

" The long and personally challenging process that brought me to art making involved a reclamation of my own freedom as a woman living in the world today. I try in my work to embody my own sense of what it is to...
Christie's: The Forbes Collection of Victorian Pictures and Works of Art on View at Assembly Rooms in Edinburgh
The sale will also profile rare works by lesser-known artists of the Victoria period as the collection spans the key artists and the themes of the period to offer artworks to suit all levels of collecting. "The Forbes Collection of Victorian...

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