Artist: Frederick William Watts (1800 - 1870)
Nationality: British
Movement:
Media:
Influences:


Artworks in Museum Collections: (60)
Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Frederick William Watts.

The Metropolitan Museum of Art -
The Old Bridge Frederick Waters Watts (British, 1800-1862)Oil on canvas; 21 3/4 x 32 3/4
The Metropolitan Museum of Art -
Ariadne in Naxos, 1894 George Frederick Watts (British, 1817-1904)Oil on canvas; 24 x 20 in.
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George Frederick Watts - William Cavendish, 7th Duke of Devonshire 1883 oil on canvas The Fitzwilliam Museum British
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William Clothier Watts Point Lobos watercolor 19th - 20th century
The Minneapolis Institute of Arts -
Artist: Henry Hershel Hay Cameron Title: George Frederick Watts, R.A. Date: 1893 Medium: photogravure Dimensions:
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William Kent Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) Book with 52 engravings and uncounted ornamental end pieces 1729
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William Kent The Two Monkeys, plate for Fable XL on page 150 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Pin and the Needle, plate for Fable XVI on page 61 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Jugglers, plate for Fable XLII on page 158 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Elephant and the Bookseller, plate for Fable X on page36 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Poet and the Rose, plate for Fable XLV on page 171 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Lion, the Tiger, and the Traveler, plate for Fable I on page 1 in the book, Fables (London: J. Tonson and J. Watts, 1729) Engraving 1729
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William Kent The Miser and Plutus, plate for Fable VI on page 21 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Court of Death, plate for FableXLVII on page 178 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Mother, the Nurse, and the Fairy, plate for Fable III on page11 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Unversal Apparition, plate for Fable XXXI on page 117 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Two Owls and the Sparrow, plate for Fable XXXII on page 122 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Sick Man and the Angel, plate for Fable XXVII on page 103 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Father and Jupiter, plate for Fable XXXIX on page 146 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Persian, the Sun, and the Cloud, plate for Fable XXVIII on page 107 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Courtier and Proteus, plate for Fable XXXIII on page 125 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Lady and the Wasp, plate for Fable VIII on page 29 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Butterfly and the Snail, plate for Fable XXIV on page 92 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent Pythagoras and the Countryman, plate for Fable XXXVI on page 136 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent Cupid, Hymen, and Plutus, plate for Fable XII on page 45 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Painter Who Pleased Nobody and Everybody, plate for Fable XVIII on page 68 in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Kent The Shepherd and the Philosopher, plate for the Introduction to the Fables on first introductory page in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
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William Clothier Watts Point Lobos Watercolor 19th - 20th century
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J. Tonson and J. Watts Title page in the book Fables by Mr. [John] Gay. 3rd ed. (London: J. Tonson and J. Watts, 1729) engraving 1729
J. Paul Getty Museum -
Whisper of the Muse / Portrait of G.F. Watts
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Charles Frederick William Mielatz Old Mill, near Newport, R. I., plate at p. 53 in the book, Representative Etchings by Artists of To-day in America (New York: Frederick A. Stokes, 1887) etching 1887
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William Charles Frederick Gillam Mission Dolores. San Francisco. California Etching 1923
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Robert Henri - Portrait of Mrs. Robert C. Watts 1926 oil on canvas The Maier Museum of Art American
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Charles Frederick William Mielatz Woodland Water Source. 1898
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Charles Frederick William Mielatz Woodland Water Source 1898
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William Charles Frederick Gillam Low Tide Monotype 1933
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William Charles Frederick Gillam Monarchs Monotype 1933
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Frederick Burridge The Patriarchs 1901
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Charles Frederick William Mielatz Fresh Pond Lithograph 1898
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Charles Frederick William Mielatz Fresh Pond color plate 1898
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William Charles Frederick Gillam Mallard Drypoint 1930
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L'AMOUR ET LA VIE (1893) by WATTS George Frederic
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H. Meyer Frederick William III, King of Prussia 18th century
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Charles Frederick William Mielatz Beaver Brook. 19th - 20th century
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Charles Frederick William Mielatz Colonial Residence. 19th - 20th century
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Charles Frederick William Mielatz Colonial Residence 19th - 20th century
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Charles Frederick William Mielatz Beaver Brook. 19th - 20th century
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Charles Frederick William Mielatz Fresh Pond. 19th - 20th century
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William Charles Frederick Gillam Land Marks Monotype 1933
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William Charles Frederick Gillam Monterey Cypress Monotype 1933
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William Charles Frederick Gillam Monterey Cypress Monotype 1932
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Charles Frederick William Mielatz The path to the Lake Wash drawing 1898
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Charles Frederick William Mielatz The path to the Lake Etching and drypoint 1898
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Charles Frederick William Mielatz The path to the Lake Etching and drypoint 1898
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William Charles Frederick Gillam The Triple Doorways Etching 1922
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William Charles Frederick Gillam The Carp Etching ca. 1920 - 1925
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William Charles Frederick Gillam Mallard Duck Drypoint 1930
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William Charles Frederick Gillam Well Hooked Etching ca. 1920 - 1925
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William Charles Frederick Gillam "China Town" San Francisco Etching 1923
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William Charles Frederick Gillam "Doorway" Museum. San Francisco Etching 1923

Artnews Articles and Exhibition Information: (10)
Click on any of the links below to read about artnews or exhibitions related to Watts

Neuberger Museum of Art: Lewis Watts: Photographs
His imagery is made succinct by a careful attention to formal composition that combines found reality with esthetical elements. Since 1978, he has been a Lecturer in Photography and...
National Gallery: Light
The first section, Symbolic Light, contains works in which light takes on a metaphorical meaning, such as the Gallery’s 'Adoration of the Shepherds' by Rembrandt and the rarely seen 'After the Deluge; the Forty-First Day' by G. F. Watts (Guildfor...
Andy Warhol Museum: Summer of Andy: Program Celebrates Andy Warhol's 75th Birthday
Keith Edmier and Farrah Fawcett The exhibition, Keith Edmier and Farrah Fawcett, examines the connection between artist and muse through a series of collaborative sculptures and photographs by contemporary artist, Keith Edmier, and actress a...
Allen Priebe Gallery, University of Wisconsin Oshkosh: California Sculptor Noah Purifoy
Recently, a major retrospective traveled nationally in 1997-1998 and garnered critical praise.  In 1989, Purifoy relocated from Los Angeles to the high desert of Joshua Tree, California.  There he has created more than 100 assemblages, installatio...
Victoria and Albert Museum: Five New Painting Galleries to Open
The V&A has remarkable collections of eighteenth and nineteenth century British landscape paintings and watercolours (the national collection of watercolours is held at the V&A). Three galleries will focus on the image of landscape in Britain as...
Skirball Cultural Center: C.O.L.A. 2001: New Work by Ten Artists
The C.O.L.A. exhibition is the culmination of the year's Individual Artist Grant-supported activities. Each artist received an award of $10,000 to encourage the creation of new work, and in recognition of individual achievement, impact in the ...
Jersey Galleries: Reconcilable Differences: Curated by Luis Formaiano and Alison A. Raimes
The history of Modern art has been the narrowing of horizons towards the individual viewpoint. Try to think about a chain of individuals, posting messages, and trying to be understood either by words or by artistic work. This is ARTLIVES... Cl...
Pollock Fine Art: After Munch: Norwegian Contemporary Art
Traditionally, Norwegian artists have not had the courage to establish a close relation to Edward Munch. Instead of cultivating an expressionist tradition, founded by Edward Munch, and important to artists in other countries, Norwegia! n artist...
Lawrence Asher Gallery: Lisa Adams –  I Like Interrogatives AND Susannah Bettag -  But Do You Really Notice Anymore
From Lisa Adams' Artist Statement

" The long and personally challenging process that brought me to art making involved a reclamation of my own freedom as a woman living in the world today. I try in my work to embody my own sense of what it is to...
Christie's: The Forbes Collection of Victorian Pictures and Works of Art on View at Assembly Rooms in Edinburgh
The sale will also profile rare works by lesser-known artists of the Victoria period as the collection spans the key artists and the themes of the period to offer artworks to suit all levels of collecting. "The Forbes Collection of Victorian...

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