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Artist: William Gorman Wills (1828 - 1891)
Nationality: Ireland
Movement:
Media:
Influences:
Artworks in Museum Collections: (60) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by William Gorman Wills.
- Jim Gorman
Kid's Skate
color screenprint
1974
- Jim Gorman
Kid's Skate
color screenprint
1975
- Ward, Leslie Matthew (Spy)
"Birdseye" (Men of the Day, No. 575, Sir William Henry Wills, Bart) from Vanity Fair November 23, 1893
Lithograph
1893
- Costume Sketch of Bette Davis as Queen Elizabeth I in the 20th Century Fox Production, ’The Virgin Queen’, Mary Wills , 1955, Gouache on paper
- Costume Sketch of Bette Davis as Queen Elizabeth I in the 20th Century Fox Production, ’The Virgin Queen’, Mary Wills , 1955, Gouache on paper
- Costume Sketch of Joan Collins as Bess Throckmorton in the 20th Century Fox Production, ’The Virgin Queen’, Mary Wills , 1955, Gouache, pencil on board
- Costume Sketch of Joan Collins as Bess Throckmorton in the 20th Century Fox Production, ’The Virgin Queen’, Mary Wills , 1955, Gouache, pencil on board
- Costume Sketch of Dorothy McGuire as Ma Pennypacker in the 20th Century Fox Production, ’The Remarkable Mr. Pennypacker’, Mary Wills , 1958, Gouache, pencil, colored pencil on paper
- Costume Sketch of Dorothy McGuire as Ma Pennypacker in the 20th Century Fox Production, ’The Remarkable Mr. Pennypacker’, Mary Wills , 1958, Gouache, pencil, colored pencil on paper
- Swatches for the ’Spring is Bustin’ Out All Over’ scene in the 20th Century Fox Production, ’Carousel’, Mary Wills , 1956, Pencil, cotton and polyester mounted on paper
- Swatches for the ’Gypsy’ scene in the Metro-Goldwyn-Mayer Production, ’The Wonderful World of the Brothers Grimm’, Mary Wills , 1962, Pen, pencil, fabric swatches mounted on board
- Haig Patigian
Head of Helen Wills
marble
1927
- Costume Sketch of Bette Davis as Queen Elizabeth I in the 20th Century Fox Production, ’The Virgin Queen’, Mary Wills , 1955, Gouache on board
- Costume Sketch of Bette Davis as Queen Elizabeth I in the 20th Century Fox Production, ’The Virgin Queen’, Mary Wills , 1955, Gouache on board
- Costume Sketch for the ’Spring is Bustin’ Out All Over’ scene in the 20th Century Fox Production, ’Carousel’, Mary Wills , 1955, Gouache, ink on paper
- Costume Sketch for the 20th Century Fox Production, ’Carousel’, Mary Wills , 1955, Gouache, colored pencil, pencil on paper, wool, polyester
- Costume Sketch of Bette Davis as Queen Elizabeth I in the 20th Century Fox Production, ’The Virgin Queen’, Mary Wills , 1955, Gouache, pencil, pen on paper
- Costume Sketch of Bette Davis as Queen Elizabeth I in the 20th Century Fox Production, ’The Virgin Queen’, Mary Wills , 1955, Gouache, pencil, pen on paper
- Costume Sketch of Gordon MacRae as Billy Bigelow in the 20th Century Fox Production, ’Carousel’, Mary Wills , 1955, Gouache, colored pencil on paper mounted on board
- Costume Sketch of Danny Kaye as Hans Christian Andersen in the Samuel Goldwyn Company Production, ’Hans Christian Andersen’, Mary Wills , 1952, Gouache on paper
- Costume Sketch of Bette Davis as Queen Elizabeth I in the 20th Century Fox Production, ’The Virgin Queen’, Mary Wills , 1955, Gouache, colored pencil, pencil on paper mounted on board
- Costume Sketch of Bette Davis as Queen Elizabeth I in the 20th Century Fox Production, ’The Virgin Queen’, Mary Wills , 1955, Gouache, colored pencil, pencil on paper mounted on board
- James Wills - The Andrews family 1749 oil on canvas The Fitzwilliam Museum British
- Samuel William Reynolds, Senior
William, Youngest Son of Lord William Russell
Mezzotint
18th - 19th century
- Mote Spoon, Maker’s mark possibly that of William Cripps or William Chawner (Artist), circa 1760-1780, Silver
- Mote Spoon, Maker’s mark possibly that of William Cripps or William Chawner (Artist), circa 1760-1780, Silver
- William Faithorne
The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662)
Book with 9 etchings with engraving
1662
- William Henry Watt
William Lourdsworth
19th century
- William Page - Mrs. William Page 1860-61 oil on canvas The Detroit Institute of Art American
- Arthur William Devis - The Hon. William Monson and His Wife, Ann Debonnaire c. 1786 oil on canvas Los Angeles County Museum of Art English
- William Nicholson
London Types (London: William Heinemann, 1898)
book with color plates
1898
- William Page - Colonel William Leete Stone 1839 oil on canvas Cleveland Museum of Art American
- William Nicholson
An Almanac of Twelve Sports (London: William Heinemann, 1898)
book with color plates
1898
- William Bagdatopoulos - Dr. William Henry Holmes 1929 oil on canvas Smithsonian American Art Museum American
- William Nicholson
Hammersmith, fifth plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Nicholson
Kensington, second plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Nicholson
Any Bar, twelfth plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Nicholson
The Tower, third plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Merritt Chase - Portrait of President William Waugh Smith 1907 oil on canvas The Maier Museum of Art American
- Adriaen Pynacker
William of Orange (William III) Commemorative Plate
polychrome tin - glazed earthenware
1690
- William Hancock Wilke
William Andrew Clark, Jr.
Drypoint
19th - 20th century
- The Hon. William Monson and His Wife, Ann Debonnaire, Arthur William Devis (England, 1762 - 1822) (Artist), circa 1786
- William Nicholson
Rotten Row, sixth plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Nicholson
The Horse Guards, first plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Nicholson
The City, ninth plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Nicholson
Any Corner, eleventh plate in the book London Types (London: William Heinemann, 1898)
color plate
1898
- William Faithorne
How to Dry or Harden the Varnish..., plate 2 opposite page 9 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662)
etching with engraving
1662
- William Faithorne
How to Use the Oval Points..., plate 5 opposite page 15 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662)
etching with engraving
1662
- William Faithorne
Hot to Choose Your Needles..., plate 3 opposite page 10 in te book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662)
etching with engraving
1662
- William Faithorne
Hot to Guide Your Needles..., plate 4 opposite page 12 in the book The Art of Graveing and Etching by William Faithorne (London: William Faithorne, 1662)
etching with engraving
1662
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
- William Henry Bartlett
plate opposite page ? in the book The Danube by William Beattie (London & New York: Virtue & Co., [ca. 1840])
engraving
1840
Artnews Articles and Exhibition Information: (8) Click on any of the links below to read about artnews or exhibitions related to Wills
Walter Phillips Gallery, Banff Centre: John and Lou's 1923 Voyage For many years Wills purchase sat unexplored, until he
rediscovered it in 1997 prior to a creative residency at the Banff Centre. It was during
this time that Will began to puzzle together the images with evidence of the
...
ShanghArt: Ver-de-ga: Xue Song Fashion Series Works, Solo Exhibition "Xue Song posses the fundamental cultural characteristics of his generation, a measured humour, constructiveness and a profound historical memory, a rationalization in the appraisal of historical politics, and of introspection".
What a kind ...
Gold Coast City Art Gallery: EVOLUTION: Recent acquisitions for the collection
The exhibition will feature work by regional artists including Robert Brownhall, Ken Bartlett, and Lina Eve alongside contemporary artists such as William Seeto, Marcus Wills, Michael Johnson, David Bromley, Tom Risley, and Mike Nicholls. Signific...
Zamalek Art Gallery: The Egyptian Woman - Paintings by Farghali Abdel Hafiz This exhibition is dedicated to venerate the status of the Egyptian woman, who enjoyed her freedoms, as well as human, social and economic rights and had equal footings with man. Such rights had never been experienced in any other culture across c...
Museo Universitario: Jorge Restrepo: Tactile Art The writer Donaldo Altamirano describes the exhibit: “The novelty, the uncommon nature of this project, was what initially attracted the attention of those who, more than spectators, were the main actors. The effect of strangeness, this taste of e...
Center of Museums of the Caldas University: Jorge Restrepo: Tactile Art - Contact The exhibition does not rely on information written in ink. The sighted depend on blind guides that give information to them about the artist and the titles of each work... since the labels are written in Braille. The room altogether is sober and ...
Lux Gallery: New England: Ann Course, Stephanie Bolt and Eric Lesdema, Subc_t + Mufcoli, Adam Scrivener, Mark Aerial Waller Ann Course presents her animations, drawings, and a neon work entitled 'Mother Sleeping Bag' (animation's
edited by Paul Clark). Previous exhibitions and screenings include 'Pandæmonium', 'Pandemic 01', Lux Centre
(2000), 'Girl...
Pittsburgh Center for the Arts: Two New Exhibitions: Dressed for Life and PCA Group Show In Dressed for Life, artist Elaine Morris uses actual dresses and garments as a starting point, transforming each into an act of storytelling through the addition of envelopes, buttons, paper cut-outs, and even poetry and language. The result is a...
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