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Artist: Rafael Yela Gunther ( - )
Artworks in Museum Collections: (89) Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Rafael Yela Gunther.
- JosÈ Rafael LarraÒaga
Via Crucis (Text)
printedtext
1806
- Oriana Day
Mission San Rafael Arcangel
oil on canvas
late 19th century
- R. Rafael
San Vicente de Paul
Etching and engraving
19th century
- Rafael Maradiaga
Goldweight with rectangular shape
brass
20th century
- JosÈ Sanchez
S. Pedro Apostol (St. Peter the Apostle),printed on page 1 of RESPONSORIUM/ IN HONOREM BEATI PETRI...(CÛrdoba: Don Rafael Garcia Rodriguez, 1816)
Etching and engraving
1814
- Franz Ignaz Gunther - Kneeling Angel c. 1760 gessoed and painted Cleveland Museum of Art German
- Matthaus Gunther - Diana and Acteon n.d. pen and brown ink on Liechtenstein Museum German
- Franz Ignaz Gunther - Madonna of the Immaculate Conception c. 1770 painted and gilded w Cleveland Museum of Art German
- Rafael Maradiaga
Galeria de la Raza, Calendario 1975 (one calendar of twelve serigraph images)
screenprint
1975
- Rafael Coronel
Funeral (Funeral), seventh plate in the portfolio, 21 Estampadores de Colombia, Mexico y Venezuela (21 Printmakers of Colombia, Mexico and Venezuela)
Etching and engraving
1972
- Rafael Ferrer - 50 Cakes of Ice 1970 gelatin silver print The Museum of Modern Art Puerto Rican
- Jesus Rafael Soto - Untitled 1959-60 wood, painted wood, The Museum of Modern Art Venezuelan
- William Cummens
Tall Case Clock
mahogany , brass and finials, paint
circa 1800
- Ipolito Salazar
Anna
Lithograph
19th century
- Ipolito Salazar
Homero (Homer)
Color lithograph
19th century
- Harold Malette Dean
Richardsons Bay
Woodcut
1935
- Harold Malette Dean
The Square and Beyond
Wood engraving
1938
- Harold Malette Dean
Nocturne
Wood engraving
1939
- Harold Malette Dean
Stream
Wood engraving
1937
- Harold Malette Dean
Day Dream
Wood engraving
1939
- Harold Malette Dean
Bird
Wood engraving
1939
- Harold Malette Dean
Mt. Davidson
Wood engraving
1939
- Harold Malette Dean
Industrial
Wood engraving
1938
- JosÈ Joaquin Fabregat
AL. EXCMO. SEOR D. ALONSO NUEZ DE HARO
Engraving
1796
- Ipolito Salazar
Dante Y Virgilio(Dante and Virgil)
Color lithograph
19th century
- Ipolito Salazar
La Sagrada Familia (The Holy Family)
Color lithograph
19th century
- Harold Malette Dean
High Tide
Wood engraving
1937
- Harold Malette Dean
Passing Storm
Wood engraving
1937
- Harold Malette Dean
Four Trees Ranch
Wood engraving
1938
- Harold Malette Dean
Tunnel Road
Wood engraving
1939
- Harold Malette Dean
Quarry Pond
Wood engraving
1938
- Harold Malette Dean
Water Front
Wood engraving
1938
- Harold Malette Dean
Coast Road #2
Wood engraving
1938
- Harold Malette Dean
Pipedream
Wood engraving in color
1939
- Harold Malette Dean
Coast Road #1
Wood engraving
1937
- Harold Malette Dean
Shacks, Twin Peaks
Woodcut
1935
- Harold Malette Dean
San Francisco in 1854
Color woodcut
1954
- Harold Malette Dean
Girl Bathing
Wood engraving
20th century
- Harold Malette Dean
Pepper Plant
Wood engraving
20th century
- Harold Malette Dean
Bear Creek (Rainbow)
Wood engraving
1939
- Harold Malette Dean
Untitled (mountains)
Wood engraving
20th century
- Ipolito Salazar
Jesus Servido Por Los ¡ngeles(Jesus Being Served by Angels)
Color lithograph
19th century
- Harold Malette Dean
Erosion
Wood engraving with brown tone block
1939
- Harold Malette Dean
Sierra Fall Review
Wood engraving in color
1939
- Harold Malette Dean
Early San Francisco Wharf
Wood engraving
20th century
- Ipolito Salazar
JUANA DE ARCO (Joan of Arc) , a page from the periodical, El Espectador de MÈxico (1851)
Lithograph
circa 1851
- Kunisada
Ran
color woodcut
1850 - 1860
- Harold Malette Dean
One of Nine small scenes of old San Francisco
Woodcut with one tone block
1954
- Kunisada
Hana no en
color woodcut
1850 - 1860
- Ipolito Salazar
La Madre De Los MachabÈos(Mother of the Maccabees)from~BIBLIOTECA DEL ESPECTADOR DE M
XICO
Color lithograph
19th century
- Kunisada
Lovers near a bridge
color woodcut
1850 - 1860
- Harold Malette Dean
One of Nine small scenes of old San Francisco
Woodcut with one tone block
20th century
- Harold Malette Dean
One of Nine small scenes of old San Francisco
Woodcut with one tone block
20th century
- Harold Malette Dean
One of Nine small scenes of old San Francisco
Woodcut with one tone block
20th century
- Harold Malette Dean
One of Nine small scenes of old San Francisco
Woodcut with one tone block
20th century
- Harold Malette Dean
Ft. Point, San Francisco and Golden Gate Bridge
Lin B. Print
20th century
- Harold Malette Dean
One of Nine small scenes of old San Francisco
Woodcut with one tone block
20th century
- Harold Malette Dean
One of Nine small scenes of old San Francisco
Woodcut with one tone block
20th century
- Harold Malette Dean
One of Nine small scenes of old San Francisco
Woodcut with one tone block
20th century
- Harold Malette Dean
One of Nine small scenes of old San Francisco
Woodcut with one tone block
20th century
- Kunisada
Couple making love beside mosquito net
color woodcut
18th - 19th century
- Kunisada
Couple making love beside a writing table
color woodcut
1850 - 1860
- Kunisada
Couple making love beside an untouched tray of food
color woodcut
1850 - 1860
- Kunisada
Couple making love beside a plum tree at night
color woodcut
1850 - 1860
- Bernardo Bellotto
Perpective du Pont de Dresde sur L'Elbe (View from the Bridge of Dresden on the Elbe)
Etching
1749 Museum of Fine Arts
- Fragment Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Wool slit tapestry 27.3 x 19 Museum of Fine Arts
- Fragment Probably Middle Horizon Possibly highland, Peru, A.D. 500–800 Cotton twill-derived float weave 56.3 x Museum of Fine Arts
- Fragment Probably Late Intermediate Central Coast, Peru, A.D. 1000-1476 Cotton slit tapestry 36 x 48.3 Museum of Fine Arts
- Fragment Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Wool double cloth 22.3 x 10.4 Museum of Fine Arts
- Fragment Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Wool double cloth 20.2 x 23.7 Museum of Fine Arts
- Cloth Probably Late Intermediate Central Coast, Peru, A.D. 1000-1476 Cotton and wool plain weave 28 Museum of Fine Arts
- Fragment Late Intermediate Probably South Coast, Peru, A.D. 1000-1476 Wool and cotton slit tapestry 24 Museum of Fine Arts
- Fragment Probably Late Intermediate Peru, Central Coast, A.D. 1000-1476 Cotton slit tapestry 40.7 x 36.4 Museum of Fine Arts
- © Armin Landeck ; Armin Landeck, American, 1905-1984 The Engraver"s Tools 1974 Engraving Platemark: 40.8 Museum of Fine Arts
- Fragment Late Intermediate Probably South Coast, Nasca area, Peru, A.D. 1000-1476 Cotton dovetailed tapestry 31.7 The Metropolitan Museum of Art
- José Costa y Bonells (died l870), Called Pepito Francisco de Goya y Lucientes (Spanish, 1746-1828)Oil Museum of Fine Arts
- Strip Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Cotton and wool slit tapestry with Museum of Fine Arts
- © Armin Landeck ; Armin Landeck, American, 1905-1984 The Engraver"s Tools 1974 Engraving Platemark: 40.8 Museum of Fine Arts
- Fragment of a bag (?) Rimac (?) Late Intermediate, A.D. 1000-1476 Peru, Central Coast Wool Museum of Fine Arts
- Fragment Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Twill-derived float weave; plain weave 26.2 Museum of Fine Arts
- © Armin Landeck ; Armin Landeck, American, 1905-1984 The Engraver"s Tools 1974 Engraving Platemark: 40.8 Museum of Fine Arts
- Cloth Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Cotton and wool plain weave with Museum of Fine Arts
- Band or border Late Intermediate Probably South Coast, Peru, A.D. 1000-1476 Cotton and wool; plain Museum of Fine Arts
- Cloth Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Cotton plain weave; twill-derived float weave Museum of Fine Arts
- Claude Félix Théodore Caruelle d"Aligny, French, 1798-1871 Rocky Landscape probably about 1835 Pen lithograph on Museum of Fine Arts
- Waistbands from a tunic Inca Late Horizon, 1476-1534 Peru Wool and cotton interlocked tapestry; plain Museum of Fine Arts
- Strip Late Intermediate Probably Central Coast, Peru, A.D. 1000-1476 Cotton warp-faced twill-derived float weave; unwoven Museum of Fine Arts
- Strips Late Intermediate Central or South Coast, Peru, A.D. 1000-1476 Wool and cotton plain weave Museum of Fine Arts
- Cover Colonial Peru, 18th century or later Cotton and wool interlocked tapestry with eccetric wefts
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Last updated and links verified on: Monday October 10/05/09 06:47:00 AM
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